From the New York Times bestselling author of The Henna Artist, this sweeping novel of identity and self-discovery takes readers from Bombay to Prague, Florence, Paris and London, to uncover the mystery behind a famous painter's death.When renowned painter Mira Novak arrives at Wadia hospital in Bombay after a miscarriage, she's expected to make a quick recovery, and Sona is excited to spend time with the worldly woman who shares her half-Indian identity, even if that's where their similarities end. Sona is enraptured by Mira's stories of her travels and shocked by accounts of the many lovers she's left scattered through Europe. Over the course of a week, Mira befriends Sona, seeing in her something bigger than the small life she's living with her mother. Mira is released from the hospital just in time to attend a lavish engagement party with all of Bombay society and invites Sona along. But the next day, Mira is readmitted to the hospital in worse condition than before, and when she dies under mysterious circumstances, Sona immediately falls under suspicion.
Before leaving the hospital in disgrace, Sona is given a note Mira left for her, along with her four favorite paintings. But how could she have known to leave a note if she didn't know she was going to die? The note sends Sona on a mission to deliver three of the paintings—the first to Petra, Mira's childhood friend and first love in Prague; the second to her art dealer Josephine in Paris; the third to her first painting tutor, Paolo, with whom both Mira and her mother had affairs. As Sona uncovers Mira's history, she learns that the charming façade she'd come to know was only one part of a complicated and sometimes cruel woman. But can she discover what really happened to Mira and exonerate herself?
Along the way, Sona also comes to terms with her own complex history and the English father who deserted her and her mother in India so many years ago. In the end, she'll discover that we are all made up of pieces, and only by seeing the world do we learn to see ourselves.
New York Times bestselling author Alka Joshi has returned with the standalone novel, Six Days in Bombay. Before knowing its premise, I knew this would be a must-read. I was utterly absorbed by her previous work, The Jaipur Trilogy. In The Henna Artist, The Secret Keeper of Jaipur, and The Perfumist of Paris, readers are transported to 20th century India to experience a setting which is wholly unfamiliar to much of western society. Her writing is superb, and I was completely engrossed in her characters’ world. My experience with Six Days in Bombay was no exception. Set in the spring of 1937, the story begins in the titular Bombay, where we are introduced to Sona Falstaff, a 23 year-old nurse. Through her friendship with an artistically remarkable and ailing patient, Sona is set on a globetrotting journey. She is introduced to a gallery of colorful characters and also grows as a young woman. With English and Indian parentage, she has struggled to understand her place in society. Her insecurity and pragmatism confine her, keeping her from stretching beyond the boundaries of her life with her mother in their small flat in Bombay.
Sona also wrestles with unresolved anger toward her absentee father. A married Englishman with a family in his home country, Owen Falstaff abandoned those he loved in India in 1917, returning to his first wife and fatherhood abroad. Sona is left with the pain of losing him, as well as the travails of a “half-half.” In some circles she is considered “too English”, and in others she is “too Indian.” The pain of a derelict parent and the social struggles she faces intermingle within her heart, causing much turmoil.
After the death of the talented and enigmatic artist Mira Novak, Sona undertakes the task of delivering items in her patient’s stead, pieces bequeathed to significant figures in her life. As Sona embarks on this international journey, her perception begins to broaden. She remarks in chapter three, “When I'd first met her, I'd thought Mira's ways were too big for the world I inhabited. But like breath, my life seemed to expand whenever I was around her." Sona’s quest on behalf of Mira certainly did that. She becomes more aware of the ways of European society, grows more confident, and allows herself to love. Sona blossoms as a young woman, and also begins to heal from past hurts. Her path is not free of calamity and uncertainty. Things are not always as they seem, and her eyes are opened to both the beauty and ugliness of humanity. Her transformation is realistic, captivating, and thoroughly relatable, even across cultural and generational divides.
For those who might want to be aware of content issues, Six Days in Bombay has little to no foul language, but the narrative confronts issues that may be troublesome for certain readers. The subject of abortion is addressed. There is a bit of sexual content, but Joshi keeps the details limited and does not draw out those scenes for an extended period of time. Romantic relationships are not kept within the borders of traditional marriage. However, as a conservative reader, I was still able to enjoy the story from the standpoint of an outside viewer. Although I do not endorse all the choices of these characters, I found their stories to be compelling, heartbreaking, and full of the same longing that many feel for love and acceptance.
Just as many yearn for emotional satisfaction, another common desire is to inhabit a life of significance. Six Days in Bombay examines this trait in Sona Falstaff. She is a timid, sheltered young woman, living a small existence and wanting so much more. Because of insecurity or social restrictions, she has hesitated to step out into the world. After a mere six days with Mira Novak, she begins a journey beyond Bombay which opens her mind and heart to more than she ever could have imagined.
While I believe humility is an aspirational quality, I also hold that we are all worthy of love and living out our God-given talents. Self-assurance does not need to be equated with arrogance. We can be steadfast in who we are, and also pursue our life purpose with grace. For some, that may mean quiet work that goes unseen by many, yet is fulfilling and serves the community. For others, this could be high-profile contributions that overtly benefit society at large. Regardless of the position of our birth, be it of any country or any racial combination, all should feel strong in their inherent worth. Sona Falstaff comes to see this over time, with those six special days as catalyst for that transformation. Alka Joshi’s latest offering is beautiful, fascinating, and hopefully will inspire many to step outside a space of comfort into the great unknown. Six Days in Bombay encourages us to have confidence, take a deep breath, and step into an expansive life of adventure.
About the Author
Alka Joshi is the internationally bestselling author of the Jaipur Trilogy: The Henna Artist, The Secret Keeper of Jaipur and The Perfumist of Paris. Six Days in Bombay is her fourth novel. Her debut novel, The Henna Artist, immediately became a New York Times Bestseller, a Reese Witherspoon Bookclub Pick, an LA Times Bestseller, a Toronto Star and Globe & Mail Bestseller, an Indie Bookstores Bestseller, a Cosmopolitan Best Audiobook, and an Amazon and Goodreads favorite. It was Longlisted for the Center for Fiction First Novel Prize, has been translated into 29 languages and optioned as an episodic series.
Since its release during the pandemic of 2020, Alka has spoken to over 1000 libraries, bookclubs, bookstores, literary festivals, podcasters, universities and colleges and corporations about persistence, patience and passion and her ten-your journey to overnight success. Because she started her writing career at the age of 62, Forbes selected Alka as one of 50 Women Over 50 who are shattering age and gender norms.
Alka was born in India and came to the U.S. with her family at the age of nine. She has a BA from Stanford University and an MFA from California College of Arts.
Alka Joshi on MSNBC's Morning Joe - April 14, 2025
